by Jessica Nelson
This month’s issue of Apex Magazine was something of a special treat for me. In Blood on Vellum, Apex Editor-in-Chief Lynne M. Thomas said, “In this issue, things fall apart: Relationships, societies, religious systems. Dreams and hopes, bodies and minds all pay the price for the choices we make to try to get ahead.” Boy, do they ever. The commonalities don’t stop there, though. Taken together, Rachel Swirsky’s Decomposition, Rahul Kanakia’s Tomorrow’s Dictator, Nnedi Okorafor’s The Chaos Magician’s Mega Chemistry Set, and Tim Akers’ nonfiction piece Faith in the Fantastic hint at something even larger. Like Tim, I have a strange fascination with religion, so the combination of the treatise on religion in SF/F/H and the prominence of magic in all three stories seems to be a bit of an elephant in the room to me.
Like science, religion is mankind’s way of exploring and understanding the universe and our place in it. For all our vast stores of information, there is still so much we don’t know. General thought today holds that priests and scientists are as far removed from one another as they could possibly be; both approaching the great unknown, but from opposite viewpoints. That wasn’t always the case. Once upon a time, the healers of a community, with their strange chants and herbal concoctions, were thought to hold some magical powers or some divine connection the rest of the society lacked. Today, healing is done by doctors, their knowledge explained by sound scientific principles, and religious incantation is reserved for clergy. Continue reading






